On Anodyne

Trondheim Voices & Batagraf

Trondheim Voices & Batagraf:
On Anodyne
Grappa,  2016

“On Anodyne” is Jon Balke’s commissioned work for the vocal ensemble Trondheim Voices and percussion group Batagraf, based on the poem “Anodyne” by the American poet Yusef Komunyakaa.

“On Anodyne” pays tribute to the body, to music, to human beings.

The work, a suite for nine voices and four percussionists, had its world premiere at the Molde Jazz Festival in 2011. Anodyne means analgesic or soothing, and the subject of the piece is relieving pain. The concert was held in Molde on 23 July of that year, as a subdued and lovely way of showing respect for the victims of the previous day, one of the darkest days in Norway’s history, when a lone killer murdered innocent teenagers at a summer camp. The work was inspired by the Wolof song tradition of Africa. Balke’s point of departure was the playful approach of Trondheim Voices to the endless possibilities and harmonic riches inherent in the human voice, along with the rhythmic tapestry woven by Batagraf.

“The musical concept was based on a return to the origins of music: voices and drums, without the involvement of any kind of processing, effects, or other instrumentation. Just a semi-circle of people who are singing and playing,” Balke himself says about the piece. “The poem ‘Anodyne’ was discovered by chance online, but served our purpose admirably: using a long poem as a source of inspiration for a musical work. Komunyakaa’s link to African rhythms imbued the phrases with a powerful drive that was a perfect match to the combination of drums and voices.”

The percussion collective Batagraf was established by Jon Balke in 2005. Batagraf is described as a musical “think tank”, and from the start its objective has been to explore the connections between rhythm, language and literary content. Batagraf has collaborated with a long list of poets, comedians, dancers and writers, and has released two critically acclaimed albums on the ECM label.

“On Anodyne” was recorded and mixed at Rainbow Studio, and was produced by Live Maria Roggen, Jon Balke and Jan Erik Kongshaug

Trondheim Voices:
Live Maria Roggen: vocals, Siri Gjære: vocals, Torunn Sævik: vocals, Tone Åse: vocals, Sissel Vera Pettersen: vocals, Anita Kaasbøll:  vocals

Batagraf:
Jon Balke: percussion, Helge Norbakken: percussion, Snorre Bjerck: percussion, Ingar Zach: percussion

Anodyne
By Yusef Komunyakaa

I love how it swells
into a temple where it is
held prisoner, where the god
of blame resides. I love
slopes & peaks, the secret
paths that make me selfish.
I love my crooked feet
shaped by vanity & work
shoes made to outlast
belief. The hardness
coupling milk it can’t
fashion. I love the lips,
salt & honeycomb on the tongue.
The hair holding off rain
& snow. The white moons
on my fingernails. I love
how everything begs
blood into song & prayer
inside an egg. A ghost
hums through my bones
like Pan’s midnight flute
shaping internal laws
beside a troubled river.
I love this body
made to weather the storm
in the brain, raised
out of the deep smell
of fish & water hyacinth,
out of rapture & the first
regret. I love my big hands.
I love it clear down to the soft
quick motor of each breath,
the liver’s ten kinds of desire
& the kidney’s lust for sugar.
This skin, this sac of dung
& joy, this spleen floating
like a compass needle inside
nighttime, always divining
West Africa’s dusty horizon.
I love the birthmark
posed like a fighting cock
on my right shoulder blade.
I love this body, this
solo & ragtime jubilee
behind the left nipple,
because I know I was born
to wear out at least
one hundred angels.